/rating_on.png "1 Cleaver")
/rating_half.png "5 Cleavers")
(11 votes, average: 4.91 out of 5)
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Movies
As director:
Inglourious Basterds (2009) (segment “Nation’s Pride”)
Hostel: Part II (2007)
Grindhouse (2007) (fake trailer segment “Thanksgiving”)
Hostel (2005)
The Rotten Fruit (2003)
Cabin Fever (2002)
Chowdaheads (1999) TV series
As actor:
Piranha 3-D (2010)
Don’t Look Up (2009)
Inglourious Basterds (2009)
Death Proof (2007)
Grindhouse (2007)
Disaster! (2005)
Hostel (2005)
2001 Maniacs (2005)
Tales from the Crapper (2004)
The Rotten Fruit (2003)
Cabin Fever (2002)
Citizen Toxie: The Toxic Avenger IV (2000)
Terror Firmer (1999)
#Chowdaheads (1999) TV series
The Lost World: Jurassic Park (1997)
Snapshots from a .500 Season (1997)
The Mirror Has Two Faces (1996)
Eli Raphael Roth (born April 18, 1972) is an American film director, producer, writer and actor. He is part of the group of filmmakers dubbed the Splat Pack, because of their association and their focus on the horror genre. Roth is known for making violent, low-budget horror films that are box office hits worldwide, and for bringing back the R-rating to horror at a time when studios believed only PG-13 horror would work. Roth is an award-winning actor, most known for his role as Donny Donowitz in Quentin Tarantino’s Inglourious Basterds, for which he won both a SAG Award (Best Ensemble) and a BFCA Critic’s Choice Award (Best Acting Ensemble).
Roth was born in Newton, Massachusetts, to Dr. Sheldon Roth, a psychiatrist/psychoanalyst and professor at Harvard University, and Cora Roth, a painter. His grandparents immigrated from Austria, Russia and Poland, and Roth was raised Jewish.
Roth began shooting films at the age of eight after watching Ridley Scott’s Alien (1979). He made over 50 short films with his brothers Adam and Gabe before graduating at Newton South High School and attending film school (the Tisch School of the Arts) at New York University, from which he graduated in 1994. By the age of 20, and while still a student at NYU, Roth ran the office of producer Frederick Zollo, eventually leaving to devote himself to writing full-time.
Actress Camryn Manheim gave Roth one of his first jobs in Hollywood, putting him on as an extra on The Practice when he first moved to Los Angeles. Roth would stay in Manheim’s dressing room working on his scripts while she filmed the show. The two had met and become friends while Roth was working for Fred Zollo in New York City. Roth also met Manheim’s cousin Howie Nuchow (former EVP of Mandalay Sports Entertainment and also from the Boston, MA area) at Camryn’s family passover seder—this led to Roth’s first animation project “Chowdaheads” in the year that followed. Roth also co-wrote a project called “The Extra” with Manheim; Manheim would later sell the pitch to producer (and former CEO and Chairman of Fox Studios) Bill Mechanic’s Pandemonium company.
In his final years (1993/1994) at NYU film school, Roth wrote and directed a student film called Restaurant Dogs as an homage to Quentin Tarantino’s Reservoir Dogs. The film was nominated for a Student Academy Award in 1995, and won its division (Division III.)
Through his internship with producer Fred Zollo in years prior, Roth met David Lynch and remained in contact with him over the years, eventually producing content for Lynch with his fledgling website in the late 1990s. Roth met film and TV composer Angelo Badalamenti through Lynch; he would later use Badalamenti’s music in his first feature film. He also met a member of special effects company KNB EFX through Lynch; KNB EFX would later contribute to his first feature.
Roth moved from NYC to LA in 1999; shortly thereafter he wrote, directed, edited, produced, animated, and provided voices for a series of animated shorts called Chowdaheads for Mandalay Sports Entertainment. The shorts were intended to be shown between WCW Monday Nitro pro wrestling matches, but the C.E.O. of WCW who had green lit the project was fired the weekend before they were supposed to be aired, and they were never actually broadcast, despite being completed. Roth’s friend Noah Belson co-wrote the shorts and provided the other character voices.
After receiving financial backup from the website Z.com to deliver a 5-minute pilot, Roth wrote, directed, animated and produced a series of stop-motion shorts in mid-2000 called The Rotten Fruit. The company (z.com) folded shortly after several episodes were completed, and the domain name “z.com” was picked up by Nissan years later to promote their sports car of the same name. A portion of the work for The Rotten Fruit was done at the Snake Pit studios in Burbank using miniature sets, poseable clay and foam figures, two high-end digital still cameras, and a pair of Macintosh computers. Roth’s friend Noah Belson co-wrote the shorts and performed the character voices along with Roth.
Cabin Fever
In 1995, a year after graduating from NYU, Roth cowrote Cabin Fever with his roommate and friend from NYU, Randy Pearlstein. Roth based the premise of the script on his own encounter with a skin infection he contracted while training horses at a farm in Selfoss, Iceland, in 1991. Much of the script was written while Roth was working as a production assistant for Howard Stern’s movie Private Parts.
The film was made in 2001 on a budget of $1.5 million raised from private investors. Roth sold the film to Lionsgate at the 2002 Toronto Film Festival for $3.5 million, the biggest sale of the festival that year. The film was released in 2003 and was Lionsgate’s highest grossing film of the year, earning $22 million at the U.S. box office and $35 million worldwide. Lionsgate used the theatrical success of Cabin Fever to raise the money to purchase Artisan Entertainment. Lionsgate stock rose from $1.98 a share at the time Cabin Fever was purchased at the Toronto Film Festival to nearly $6 a share after “Cabin Fever” was released theatrically. The film made Roth a new star in the horror genre, and changed the industry perception that fans want PG-13 films. In his 2004 Premiere Magazine interview for Kill Bill, Quentin Tarantino called “Cabin Fever” his favorite new film and Roth “the future of horror.”
Hostel
Roth’s second feature film, Hostel, was made in 2005 on a budget of a little more than $4 million. It opened to No. 1 at the box office in January 2006, taking in $20 million over its opening weekend. It went on to gross $80 million worldwide in box office, and more than $180 million worldwide on DVD. In April 2006 on Eli Roth’s birthday, Hostel opened on DVD at No. 1. The movie takes place in Slovakia, where three college students visit a hostel in which they think their sexual fantasies will come true. Instead, they find an international syndicate for the express purpose of torturing and killing backpackers for the sadistic pleasures of rich businessmen. The film was voted the No. 1 scariest movie moment on the Bravo TV special 30 Even Scarier Movie Moments. Empire Magazine readers voted “Hostel” the Best Horror Film of 2007.
Roth reportedly turned down numerous studio directing jobs to make Hostel. He took a directing salary of only $10,000 on Hostel in order to keep the budget as low as possible so there would be no limitations on the violence. In January 2006, film critic David Edelstein in New York Magazine credited Roth with creating the horror sub-genre ‘torture porn,’ or ‘gorno,’ using excessive violence to excite audiences like a sexual act. Roth has said he hates the term and feels it is far more reflective of the critics who use it and their lack of understanding of the genre than of the films themselves.
Le Monde head critic and French Cinematheque head Jean-Francois Raugier named Hostel as the Best Film of the Decade in the January 2010 issue of Film Comment Magazine.
Thanksgiving
In 2007, Roth directed the faux trailer segment Thanksgiving for Grindhouse in addition to appearing in Death Proof, Quentin Tarantino’s segment of the film. Roth and cowriter Jeff Rendell won a 2007 Spike TV Scream Award for best “screamplay” for their writing in Grindhouse, sharing the honor with Quentin Tarantino, Robert Rodriguez, Rob Zombie and Edgar Wright. According to IMDb, Roth will be directing a feature-film version of Thanksgiving to be released in 2011. Roth also provided the narration for the faux trailer.
Hostel: Part II
Hostel: Part II opened in sixth place with $8.2 million and went on to total $17.6 million by the end of its theatrical run. The film cost $10.2 million and made $35 million dollars worldwide and another $50 million on DVD and pay television.
Lionsgate attributed the lower grosses to the summer release date opposite summer blockbusters such as Shrek 3, Pirates of the Caribbean: At World’s End and Ocean’s 13, as well as the film’s workprint being leaked from a Lionsgate studio executive online prior to the film’s release. Close to 2 million illegal workprint downloads were tracked the day Hostel 2 opened theatrically in the U.S.
“I don’t know if it was the most downloaded film of all time, but there are tracking services that track what movies are being downloaded. And a copy of Hostel 2 leaked out before its release and they had it, it was like millions and millions of hits. Not only was it downloaded, but in the countries it was downloaded — like Mexico and Brazil — there were copies on the street for practically a penny. You could buy Hostel 2 for a quarter in Mexico City. As a result, in a lot of countries where the piracy was bad, they just didn’t even release it.”
Hostel Part II was nominated for six Spike TV Scream Awards, including best horror film and best director. It was on Entertainment Weekly’s list of the 20 best horror films of the past 20 years.
Endangered Species
Eli Roth announced that after Inglourious Basterds was done he would begin work on his next film, Endangered Species.
“I can’t say anything without giving anything away!… I saw Transformers and Cloverfield and thought, ‘I have an idea for a mass destruction movie.’ But it’s going to be very different from those films. And it’s science fiction, but a little more grounded than that.”
Other Projects
He also talked about doing a film called Trailer Trash, a film made of fake trailers; according to an appearance on G4, Roth was quoted saying “Trailer Trash is not a horror film, it’s a comedy. It will be very R-rated and completely insane, and I’m producing it with Mike Fleiss”.
Since early 2001, Eli has produced a series of documentaries (or, strictly speaking, non-fiction films) with similar themes to his feature films. He has quipped that these films – shot on location in places such as Iceland, Lithuania and Uzbekistan – are ‘extraordinary renditions’ of his fictional work. The films have seen limited distribution.
He is currently producing a kung fu movie entitled Man with the Iron Fist. It is being written, directed, and scored by The RZA, who stars in the film. According to Roth, Quentin Tarantino is involved with the movie as well. In a recent interview with CHUD, Roth said:
“This movie will have everything martial arts fans could want, combined with RZA’s superb musical talent. This project has been his dream for years, and I’m thrilled to be a part of it. And fans should know that yes, there will be blood… This ain’t no PG-13.”
Roth has been a guest on “Jimmy Kimmel Live,” “Your World with Neil Cavuto,” “The Howard Stern Show,” “Late Night With Conan O’Brien,”"Sunday Morning Shootout,” and served as a guest judge on the filmmaking reality series “On The Lot.” He has been profiled and interviewed in the New York Times, G.Q., Elle Magazine, Maxim, Le Monde, La Republica, Time Out: London, Time Magazine, Empire Magazine, Premiere, and Italian Vogue. Dolce & Gabbana and Nike give him clothes for all his public appearances. Roth has also appeared three times as an answer in the New York Times Sunday crossword puzzle, and was a subject of the G4 profile show “Icons.” (2007)
Eli Roth has also been a frequent contributor to DVD extras content (liner notes and video commentary) for horror film distributors Grindhouse Releasing/Box Office Spectaculars, particularly on two of his favorite films Juan Piquer Simon’s Pieces and the upcoming North American DVD release of Lucio Fulci’s Cat in the Brain.
“Men’s Fitness” magazine voted Roth Most Fit Director in their July 2006 issue, a title Roth takes very seriously with a strict workout routine that he documents on the “Hostel” DVDs. Roth claims he treats every red carpet like it was a Milan runway, and often jokes that he only makes films as a way to live out his lifelong dream of being a male supermodel. He spoke of his love for fashion in his interview in the October 2007 issue of Italian Vogue.
Roth is an animator, having written, produced, directed, animated and voiced two series: Chowdaheads (1999) and The Rotten Fruit (2000). Chowdaheads was co-written and co-voiced with friend Noah Belson, and was made with traditional hand-drawn animation. The Rotten Fruit, which Roth again co-wrote and co-voiced with Belson, was made with stop-motion animation done with foam puppets.
Roth also participated in the 2006 animated comedy film, Disaster!, voicing the lumberjack during the opening moments of the film. The comical ‘death by squirrels’ the lumberjack suffers is inspired by Roth’s gruesome and often ironic ways of killing characters in his own films.
Roth recorded an audio commentary for Troma’s 2005 DVD release of Blood Sucking Freaks having no formal credit, billed only as a “Blood and Guts Expert.” The DVD is one of Troma’s highest selling. Roth often makes uncredited cameos in Troma films. He made an unbilled cameo as a Tromaville citizen in Citizen Toxie: The Toxic Avenger IV in 2000.
Roth had a role in Quentin Tarantino’s half of Grindhouse, Death Proof, in a scene with Jordan Ladd. Tarantino was so impressed by Roth’s brief role as Justin in Cabin Fever, he asked Roth to audition for the film. Roth left his preproduction on Hostel Part II in Prague to fly to Austin, Texas for one week to film the scene at the Texas Chili Parlor. Roth said working as an actor for Tarantino was like taking a masterclass in directing, and said the only directors he would ever act for were people who had won the Palme d’Or at the Cannes Film Festival. Roth also made appearances in several projects that David Lynch directed for Davidlynch.com.
Roth was profiled on the G4 TV show Icons, and was on the cover of Forbes magazine’s Hollywood’s most profitable stars issue.
Eli Roth brought a Raiders of the Lost Ark shot-for-shot remake by kids to the attention of both Harry Knowles and Steven Spielberg. Roth had a copy in his collection of videos for years before showing it at Harry Knowles’ Butt-Numb-A-Thon film festival in December, 2002. The response was so overwhelming that Roth took the tape to his very first meeting at Dreamworks, and gave it to an executive to give to Steven Spielberg. The executive called Roth the next week saying that Spielberg loved it and wanted to contact the filmmakers. Roth had never met the filmmakers, but Google searched every name in the credits until he got a hold of Jayson Lamb, the cinematographer. The three filmmakers, Lamb, Chris Strompolis, and Eric Zala (a former Activision employee), had not spoken to each other in years when Roth contacted them out of the blue, saying that Spielberg wanted to write them a letter. This reunited the friends, who began touring the world doing charity screenings with the film. Roth felt that the film was so powerful he had to do whatever he could to make sure fans around the world saw it. Roth introduced the film at its premiere at Grauman’s Chinese Theatre in May 2008, five and a half years after he first got the tape to Knowles and Spielberg.
Roth co-starred with Brad Pitt in Quentin Tarantino’s World War II epic Inglourious Basterds, playing Donny Donowitz, a.k.a. “The Bear Jew.” He also guest directed the Nazi propaganda film-within-the-film, Nation’s Pride.
Roth wrote, directed and acted in a P.S.A. for P.E.T.A. about the link between violence against animals leading to violence against people. Roth won a Telly Award for his spot (Public Service Category: Bronze.)
Roth, through his company Arcade with Eric Newman and Strike producer Marc Abraham, produced the horror film “The Last Exorcism,” (originally titled “Cotton”) which was directed by Daniel Stamm. It was completed in December 2009 and in February 2010 retitled The Last Exorcism. In February 2010 was announced Roth will produce the psychological thriller The Other Woman, which based on a screenplay from Huck Botko and Andrew Gurland, it will be directed by Huck Botko Andrew Gurland. Roth has also a cameo as wet t-shirt contest emcee in Alexandre Aja’s Piranha 3-D.
Trivia
Won a Student Academy Award in 1995 for his N.Y.U. thesis film Restaurant Dogs.
Spent six years researching a project for director David Lynch and composer Angelo Badalamenti that will be written for Broadway.
Got his idea for Cabin Fever (2002) when he was in Iceland and contracted a case of a flesh-eating disease. The now infamous shaving-legs scene in the bathtub is based on when Roth shaved his face and layers of skin came off while having the disease.
Was the inspiration for the character Eli, the aspiring porn director, in the film The Girl Next Door (2004). One of the writers was friends with Cabin Fever (2002) editor Ryan Folsey, and spent time in the editing room, secretly writing down everything Roth was saying. Roth found out about this when several actors he knew auditioned for the film, and told him there was a character named Eli who spoke exactly like him. Roth confirmed this with the writer, who was promptly kicked out of the editing room.
Is friends with director Chloe , aka Chloe Nichole, who directed the Cabin Fever X-rated parody Sex Fever (2003) (V). Chloe had visited the Cabin Fever (2002) set during shooting, and then directed the sexy spoof without telling Roth. In Sex Fever (2003) (V), Chloe spoofed Roth’s character Justin, making her director’s cameo as a lost hiker, just as Roth did in Cabin Fever (2002). Roth was flattered that she made the film, but was disappointed he was not invited to visit her set in return.
Suffers from psoriasis, a genetic, non-contagious skin disorder which can have crippling effects. When Roth suffered his first attack at age 22, his skin was cracked and bleeding so badly that he could not walk or wear clothes. He based many of the events in Cabin Fever (2002) on his own skin-curdling experiences.
Paid for his student films by working as an on-line sex operator for Penthouse magazine, back when only doctors and scientists were on the Internet. Subscribers paid $30 an hour to have sex with Roth and his N.Y.U. friends, thinking they were gorgeous Penthouse models. Roth claims that these experiences inspire many of the characters he writes today.
Quentin Tarantino called Roth “the future of horror” in the May 2004 issue of Premiere magazine, a year before Roth made “Hostel.”.
Is a huge fan of Mary-Kate Olsen and Ashley Olsen. While filming Cabin Fever (2002), Roth played the Olsen Twins’s film Holiday in the Sun (2001) (V) on a continuous loop in a screening room, to give the cast and crew “artistic inspiration.”
When he worked as a production assistant for Howard Stern on the set of Private Parts (1997), he worked the late shift from about 11pm to 7am. During this time he spent rewriting and reworking the Cabin Fever (2002) script because he says it was “problematic at best.”.
Brother of Adam J. Roth and Gabriel Roth
Son of Sheldon Roth and Cora Roth
Shared nearly all the profits from the enormously successful Cabin Fever (2002) with his cast and crew members, who took very little pay up front in order to get the film made.
Does incredible voice impressions, and will often entertain his cast and crew during long camera setups with imitations of everyone working on his film.
Was fired by director Martin Brest on Meet Joe Black (1998) for being an “untalented stand-in.” Roth later worked on the film as a production assistant, but was hidden from the director, put in the basement of the studio, where he turned the air conditioning on and off between takes.
Although his films are frequently advertised as such, he reportedly does not personally take the “film by” or “an Eli Roth film” credit because he believes that people should be able to distinguish your work from the film itself, not the opening titles or poster. He believes filmmaking is a collaborative process, and feels the credit disrespects the people who brought their own creativity to the project.
Owns an Icelandic horse named Bara, who he keeps on the horse farm in Selfoss, Iceland, where he lived when he was 19.
His father Sheldon Roth is a world renowned psychiatrist/psychoanalyst and a professor at the Harvard University medical school. His mother Cora Roth is a painter who shows her work at the O.K. Harris gallery in New York City.
Was originally approached to be the voice of the computer trivia game “You Don’t Know Jack,” but turned it down to write Cabin Fever (2002).
Spends every summer at Mohonk Mountain House in New Paltz, New York. Roth claims that the beautiful old hotel, built in 1869, is a continued source of inspiration for scary ideas. Other guests of the mountain house include Roth’s favorite writer Stephen King.
Cannot stand the sight of real blood, saying it makes him sick to his stomach. Movie blood, however, has no effect on him.
Is an expert on the relatively unknown scientist Nikola Tesla. Roth owns copies of every known letter Tesla ever wrote, including rare letters to Tesla’s family and to financiers when his projects fell apart. Roth shares similar obsessive compulsive disorders that Tesla had, and has said he feels a strange connection to the forgotten scientist.
Is deathly allergic to cats, and cannot be in the same house as them.
Member of the unofficial Splat Pack, a term coined by film historian Alan Jones in Total Film magazine for the modern wave of directors making brutally violent horror films. The other Splat Pack members are Alexandre Aja, Darren Lynn Bousman, Neil Marshall, Greg Mclean, James Wan, Leigh Whannell and Rob Zombie.
The total combined production budget of Eli Roth’s first two films is $6 million dollars. The total worldwide theatrical gross of Eli Roth’s first two films is well over $100 million dollars. With DVD sales and rentals, the total revenue generated by Eli Roth’s first two films is over $200 million dollars. (Source: boxofficemojo.com)
Was voted Most Fit Director in the June/July 2006 issue of Men’s Fitness magazine, which ranked the “25 Fittest Guys” in various professions.
Was voted by fans into the Fangoria Magazine Hall of Fame in June 2006 after directing only two films, the fastest of any director ever to receive that honor.
Is red/brown and blue/black color blind in low light.
Writes all of his scripts longhand, a practice he started on the advice of Quentin Tarantino. Roth writes in a handwriting so illegible that only he can read it in case he loses his notebook.
Is considered one of the most profitable directors working in film today. Both of his first films earned over five times their production cost at the box office opening weekend. Neither film boasted major stars, proving that Roth’s name guarantees a built in audience. (Source: Boxofficemojo.com).
One of his favorite movies is The Wicker Man (1973) .
Gave an expert commentary on Troma’s DVD release of The Incredible Torture Show (AKA Blood Sucking Freaks).
Formed production company, Raw Nerve, with film directors Scott Spiegel and Boaz Yakin, which focuses on producing horror films.
Suffers from asthma, and is very allergic to cigarettes. Roth does not allow smoking anywhere near his sets, and if an an actor smokes in a scene Roth must be at a monitor far away from the set.
Has never lost money on a film. Cabin Fever (2002) recouped 15 times its budget theatrically, Hostel (2005) recouped 20 times its budget theatrically, and Hostel: Part II (2007) , Roth’s biggest budget film to date, recouped triple its budget theatrically.
Put on 35 pounds of muscle for the role of Donny Donowitz, The Bear Jew in Inglourious Basterds (2009). Roth also learned to cut hair for the role from producer Pilar Savone ‘s father Umberto at his salon, Umberto, in Beverly Hills.
Personal Quotes
“I’ll direct any movie starring a monkey or the Olsen Twins. Preferably both.” in an interview with Dave Kehr in the New York Times, September 2002.
I would shoot in the Czech Republic over the States any day. There’s no unions here, so the dollar goes a lot farther. You can film with kids without the same kind of strict regulations and hassles you get in the U.S.
I know your second film can make or break you, because you’re either a bona fide director or a one hit wonder.
I am very lucky to have good people around me to bounce ideas off of. They bring out the best in you.
Hype can be the best thing in the world, but too much of it can kill you. There’s this weird balance between getting people excited to see the film, and not wanting to over-hype it to the point where they can’t enjoy it because they’ve been told it’s so great. Cabin Fever was definitely a victim of that, and people got really angry if it didn’t live up to their expectations that they read on the Internet. The truth is, with movies like Hostel and Cabin Fever, the Internet’s our only shot. They don’t have the big stars like War of the Worlds, and they don’t have the advertising dollars that these films do. Studios can spend $30-$40 million marketing a movie. How do you compete with that? You have to find a way to get fans to support your movie, and the Internet’s the only way to reach them directly without a huge budget. However, the danger is that if you catch that hype wave and people are excited, you have crazy expectations to live up to. People’s enjoyment of a movie is directly related to what their expectations of that movie are. If they heard Cabin Fever was some weirdo low budget scary/funny indie movie that got a distribution deal at a festival, they tended to like it much more than people who heard it was the second coming. The other danger is that people get sick of you – fast, and I know people out there are tired of reading about me.
Cabin Fever was this crazy ride, as most of you know. It was all totally built through Internet and word of mouth, and we made it for a million and a half bucks, and it wound up doing like over 100 million dollars.
People don’t enjoy violence in real life, but they love it in their movies. And I think a lot of studio horror movies don’t want to offend anybody. If there’s anything that’s too far out there, they test it and if it offends people, they take it out. But Open Water, Wolf Creek, The Devil’s Rejects — these are movies made outside of the studio system, that don’t have a happy ending. [The studios and critics] forget that that’s what people are paying for — to be terrified and disturbed.
There’s not a single instance of a horror movie actually causing any violence. People know it’s fake, that’s why they allow themselves to enjoy it. It helps them deal with their own fears, the fear of things beyond their control. People blow up abortion clinics and then blame the bible, but you would never say ‘ban the bible,’ you’d say that’s some lunatic who wants to kill people and then hide behind religion. Nobody ever died from a horror movie, in fact, it’s the opposite. It’s the single best date movie you can go to, because you’re guaranteed to be squeezing that person for the entire film. And if the movie works, your date won’t want to go to sleep alone. Horror films are an aphrodisiac. 9 months from now I predict a wave of ‘Hostel’ babies.
If I don’t come home covered head to toe in fake blood then I haven’t done my job as a horror director.
Failure, in my book, is someone who lives in the safety of their laptop taking shots at those who actually achieved what they have been unable to do.
I’d seen all these films on the festival circuit like Audition, Ichi the Killer, Sympathy for Mr Vengeance, and I said, this is the kind of movie I want to make. Something that’s sick, and disturbing, and fucked- up… [but] I wanted it also to be a fun ride.
I read it and it was like Donny kicks open the door and shoots Hitler in the face. I was like ‘Woo-hoo!’ I was so happy. It was amazing. It was like I’m going to be the new Moses. – on the script for Inglourious Basterds
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